6.6/10
145,228
1,598 user 506 critic
Trailer
2:05 | Trailer
A couple's relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.

Director:

Darren Aronofsky
Popularity
355 ( 8)

Jennifer Lawrence Through the Years

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Cast

Cast overview, first billed only:
Jennifer Lawrence ... Mother
Javier Bardem ... Him
Ed Harris ... Man
Michelle Pfeiffer ... Woman
Brian Gleeson ... Younger Brother
Domhnall Gleeson ... Oldest Son
Jovan Adepo ... Cupbearer
Amanda Chiu ... Damsel
Patricia Summersett ... Consoler
Eric Davis Eric Davis ... Bumbler
Raphael Grosz-Harvey ... Philanderer
Emily Hampshire ... Fool
Abraham Aronofsky ... Wanderer
Luis Oliva ... Idler
Stephanie Ng Wan ... Whisperer
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Storyline

Amidst a wild flat meadow encircled by an Edenic lush forest, a couple have cocooned themselves in a secluded mansion that was not so long ago burned to the ground, devotedly restored by the supportive wife. Within this safe environment, the once famous middle-aged poet husband is desirous of creating his magnum opus; however, he seems unable to break out of the persistent creative rut that haunts him. Then, unexpectedly, a knock at the door, the sudden arrival of a cryptic late-night visitor and his intrusive wife will stimulate the writer's stagnant imagination. Little by little, much to the perplexed wife's surprise, the more chaos he lets in their haven, the better for his punctured male ego. In the end, will this incremental mess blemish, irreparably, the couple's inviolable sanctuary? Written by Nick Riganas

Plot Summary | Plot Synopsis

Taglines:

seeing is believing

Genres:

Drama | Horror | Mystery

Certificate:

16 | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Marked Movies | Official Facebook | See more »

Country:

USA

Language:

English

Release Date:

14 September 2017 (Netherlands) See more »

Also Known As:

Day 6 See more »

Filming Locations:

Montréal, Québec, Canada See more »

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Box Office

Budget:

$33,000,000 (estimated)

Opening Weekend USA:

$7,534,673, 17 September 2017, Wide Release

Gross USA:

$17,800,004, 26 October 2017
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Jennifer Lawrence and Darren Aronofsky started dating during the production of this film. See more »

Goofs

When Mother breastfeeds her baby, during one shot, she has a scar on her forehead. During the next shot, there is not a blemish on her face. See more »

Quotes

[first lines]
Mother: [after waking up] Baby?
See more »

Crazy Credits

The music in the first half of the end credits is followed by a long period with only quiet ambient noise. The near-silence is broken when Javier Bardem's character's calligraphy is inscribed in white ink next to (and sometimes over) the remaining credits. See more »


Soundtracks

The End of the World
Written by Sylvia Dee and Arthur Kent
Vocals by Patti Smith
Produced by Tony Shanahan
Patti Smith appears courtesy of Columbia Records
See more »

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User Reviews

 
Art is not shoving everything into a blender...
18 September 2017 | by AlondroSee all my reviews

As I say in the title of my review, it is neither artful nor profound to jam every possible reference and metaphor into your movie. It's lazy. It means you have no clear direction and/or are trying to appear meaningful while being unable to resist inserting your own 'struggle' into the 'high concept'... as though you are equating yourself with the existential conflicts of gods and nature... I should think this is the penultimate epitome of pretentiousness and narcissism.

Yes, I got ALL the possible meanings of everything thrust into this amalgamation of horror and pseudo-philosophy tropes. And that was the problem... they were ALL THERE. There was no one idea prevailing; it was, as other reviewers noted, throwing all the poo against the wall and seeing what stuck... and the result was merely akin to a port-a-potty explosion.

The only reason I've given it a 2 was that there were so many abysmal movies this year that this one does rise a little higher by comparison... but only barely.

This is a movie for all the art-house crowd who believe their own self-delusions of brilliance and the Hollywood elite who pat themselves on the back ceaselessly.

I would compare it to the absurdly high praise for "Boyhood".


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