Walrus-like warden, Sven "Swede" Sorenson, a cross between Bluto and Wimpy, runs the prison, murders convicts who escape, and has the FBI on his trail in the form of agent Karen Polarski, ... See full summary »
Ben du Toit is a schoolteacher who always has considered himself a man of caring and justice, at least on the individual level. When his gardener's son is brutally beaten up by the police ... See full summary »
Tom Logan is a horse thief. Rancher David Braxton has horses, and a daughter, worth stealing. But Braxton has just hired Lee Clayton, an infamous "regulator", to hunt down the horse thieves; one at a time.
Jessie is an aging career criminal who has been in more jails, fights, schemes, and line-ups than just about anyone else. His son Vito, while currently on the straight and narrow, has had a... See full summary »
The professional mercenary Sir William Walker instigates a slave revolt on the Caribbean island of Queimada in order to help improve the British sugar trade. Years later he is sent again to... See full summary »
Clark Kellogg is a young man starting his first year at film school in New York City. After a small time crook steals all his belongings, Clark meets Carmine "Jimmy the Toucan" Sabatini, an "importer" bearing a startling resemblance to a certain cinematic godfather. When Sabatini makes Clark an offer he can't refuse, he finds himself caught up in a caper involving endangered species and fine dining.Written by
Scott Renshaw <email@example.com>
Frank Whaley's character likens the character "Big Leo" to a rather rotund former wrestler named William 'Haystacks' Calhoun. Whaley has no idea who Haystacks was, but writer/director Andrew Bergman (a wrestling fan in his youth) made up the line on the spot for Whaley. See more »
In Clark's dorm room, there is a poster of Buster Keaton on the wall. In the ending credits, it is identified as "Charlie Chaplin". See more »
Gosh, this is one of the very best comedies ever made, folks.
How anyone can say this is not a great film except for Marlon Brando's performance is beyond me. His performance is great, of course. But the whole movie is phenomenal, not just Brando. It is perfect -- a 10-plus -- from start to finish. The entire cast stands out -- not just Brando. How a reviewer can focus on Brando's piece of business with walnuts is beyond me -- his business with the espresso is even more effective. But why zoom in on one relatively insignificant piece of Brando schtick when you have his whole performance to salivate over, and the equally outstanding performances of the entire cast. There is not one false note or faltering moment in this fabulously clever and eminently watchable film. Yes, Bert Parks does stand out in his cameo performance, as does B.D. Wong, as does Bruno Kirby, and on and on and on. This underrated comedy made the American Film Institute's list of 100 funniest comedies -- I could hardly believe it. Despite that, it is one of the best American movies, certainly best American comedies, ever made.
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