In 1935, Indiana Jones arrives in India, still part of the British Empire, and is asked to find a mystical stone. He then stumbles upon a secret cult committing enslavement and human sacrifices in the catacombs of an ancient palace.
In 1957, archaeologist and adventurer Dr. Henry "Indiana" Jones, Jr. is called back into action and becomes entangled in a Soviet plot to uncover the secret behind mysterious artifacts known as the Crystal Skulls.
Three years into the Clone Wars, the Jedi rescue Palpatine from Count Dooku. As Obi-wan pursues a new threat, Anakin acts as a double agent between the Jedi Council and Palpatine and is lured into a sinister plan to rule the galaxy.
After a daring mission to rescue Han Solo from Jabba the Hutt, the rebels dispatch to Endor to destroy a more powerful Death Star. Meanwhile, Luke struggles to help Darth Vader back from the dark side without falling into the Emperor's trap.
A seemingly indestructible android is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
Ten years after initially meeting, Anakin Skywalker shares a forbidden romance with Padmé Amidala, while Obi-wan Kenobi investigates an assassination attempt on the Senator and discovers a secret clone army crafted for the Jedi.
A prequel to Indiana Jones and the Raiders of the Lost Ark (1981) set in 1935, the year before, the professor, archaeologist and adventurer by the name of Indiana Jones is back in action in his latest adventure. This time he teams up with a nightclub singer named Wilhelmina "Willie" Scott and a twelve-year-old Chinese boy named Short Round. They end up in a small distressed village in India, where the people believe that evil spirits have taken all their children away after a sacred precious stone was stolen. They also discover the great mysterious terror surrounding a booby-trapped temple known as the Temple of Doom. Thuggee is beginning to attempt to rise once more, believing that with the power of all five Sankara stones they can rule the world. It's all up to Indiana to put an end to the Thuggee campaign, rescue the lost children, win the girl and conquer the Temple of Doom.Written by
Anthony Pereyra <firstname.lastname@example.org>
David Niven was attached to the role of Captain Phillip Blumburtt (Philip Stone), but died before filming began. Niven's role was meant to be a tribute to his work in The Guns of Navarone (1961), which was one of the inspirations for this film. See more »
During the mineshaft sequence Mola Ram tries to drown Indy, Willie and Shorty with the water of a huge cauldron. Since it has been established that the mineshaft is full of many caverns, some of which contain lava, there is no way that that water could have reached all the way to the end of the shaft. See more »
The Paramount mountain dissolves into a mountain on a gong. Kate Capshaw's hands obscure the words 'starring in', after which her entire body obscures the "Indiana Jones and the Temple of Doom" title. See more »
To avoid an '15' certificate in the UK (with the sacrificial ceremony said to be bordering on '18', according to a letter sent by the BBFC to UIP in 1984), the BBFC cut 1 minute 6 secs from the film and later said that it was one of the strongest PG ratings they had ever issued. Among the cuts made were a heart ripped from a sacrificial victim and his lowering into the blazing pit, edits to a whipping scene and the fight between Indiana and the overseer, and the removal of a shot of a man's head hitting the side of a cliff. The line "Leave him alone, you bastards" was changed to "Leave him alone" and sounds of screams and violence were also considerably reduced. This PG rated print was the only version available in the UK for many years until October 2012, when the cuts were fully waived for the 12 rated Blu-Ray release. See more »
Temple of Doom may not be as good as Raiders, but it doesn't deserve all this negative flak. The story is a little darker but that doesn't take anything away from the film. It makes the situation that much more dire. John Williams' score infuses the sacrifice sequence with a sense of building dread. The chanting, the heavy drums all building into a wild climax of heart burning and lava filled mayhem. The mine car chase is wild fun and Indy's bridge manuver is one hell of a climax. Still don't know why everyone's so down on this movie.
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