A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her ... See full summary »
Sophie is the survivor of Nazi concentration camps, who has found a reason to live with Nathan, a sparkling if unsteady American Jew obsessed with the Holocaust. They befriend Stingo, the ... See full summary »
Fairly accurate recounting of the story of Karen Silkwood, the Oklahoma nuclear-plant worker who blew the whistle on dangerous practices at the Kerr-McGee plant and who died under circumstances which are still under debate.Written by
Susan C. Mitchell <firstname.lastname@example.org>
In the scene where the plant workers are listening to the Union doctor's speech about cancer, and Winston is fanning himself with something folded up into an accordion, it's a paper booklet of facts about plutonium that was handed out in plants across the United States in real-life. See more »
After Karen's first contamination, she and Drew are at home and Drew is laid out on the bed playing his banjo and black (X) marks can clearly be seen on the quilt. These are not actor position marks, but (repeating) parts of the quilt pattern. Drew's body lining up on the marks is just chance. See more »
One of the things that many movies are missing these days are the small details and things that happen in everyday life - and how we are able to learn about characters through small visual clues rather than the large hammer of exposition-driven dialogue.
For instance, in the scene where the characters are looking at the slides of the trip to Washington: towards the end are two photos with Streep and Ron Silver's character. In the second photo, she leans into him a little bit. That tiny bit of body language makes us wonder - and Kurt Russell's character too. He suddenly moves his arm from around Streep's and suddenly she's aware that something's wrong. It's all in the unspoken. There isn't a preceding scene where she picks up the other guy, or goes to bed with him or even lies to Kurt Russell. It just cuts to this scene, and we the viewer learn along with Kurt that she's been unfaithful - which also reveals a little more about this person Karen Silkwood.
She's not a perfect hero - she's flighty, irresponsible, impulsive and non-committal - so the question becomes, why did she change? Why did she risk her life when she finally truly understood the risks? And how does Kurt Russell come to terms with this changed person he is in love with, given that he is just a guy who knows how to fix a car not save the world?
Watch Mike Nichols' inspired direction; he rarely cuts away in the middle of a scene. A lot of Kurt, Cher and Meryl's acting happens all in one take. *That's* truly good acting and directing.
Good dialogue in a film is in knowing what's happening without it being said. Don't fast forward the first hour - really pay attention and see how much you learn from the small details that will enrich your viewing of this film.
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