A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
A young man tries to help a teenage European girl who escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
With Argento's trademark visual style, linked with one of his more coherent plots, Tenebrae follows a writer who arrives to Rome only to find somebody is using his novels as the inspiration (and, occasionally, the means) of committing murder. As the death toll mounts the police are ever baffled, and the writer becomes more closely linked to the case than is comfortable.Written by
David Carroll <firstname.lastname@example.org>
Unused 'muzak' from Goblin's Dawn of the Dead (1978) score in background of scene where Tilda and her girlfriend argue before said girlfriend leaves with a man (right before scene with Argento's famed crane shot). See more »
Just before Elsa is killed, the attacker shoves several individual wads of paper into her mouth. But as she dies, she spits it out and the pages are now wadded together in one giant ball. See more »
Let me ask you something? If someone is killed with a Smith & Wesson revolver... Do you go and interview the president of Smith & Wesson?
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Anne's screams continue even as the ending credits roll. See more »
For its UK cinema release 4 secs were cut from the scene where Jane's arm is sliced off with an axe, removing shots of the blood spray from the bloody stump. The film was then listed as an official Video Nasty and remained unreleased on video until 1999 when the film received the same cuts (now totalling 5 secs). The cuts were fully waived for the 2003 DVD release. See more »
Peter Neal (Anthony Franciosa), an American writer, travels to Rome to promote his latest book and then a string a murders begin to target Peter as well as those around him. It seems the killer is using the book to commit copycat murders and it's up to Peter and the police to find out who's doing it. FOr my money this is Dario Argento's greatest film and it's also one of the greatest and most shocking mysteries in the history of cinema. I've seen the movie countless times now but the ending never loses its punch and the final fifteen minutes are downright thrilling, shocking and extremely violent. The violence level here is a lot higher than any of the previous Argento's films combined and I think it works very well with the film. The giallo genre was full of violent murders but none of them hit home as hard as the ones here do. The sound effects add a lot of drama to the murders but Argento also does the murders in such a poetic style that they come off even more violent. I think the screenplay is very strong offering up plenty of suspects but it keeps the mystery all the way to end the. I know very few people who predicted who the killer was and even when you do know the ending still comes as a shock. The performances by Franciosa, John Saxon and Daria Nicolodi are very good as well. There's some terrific camera work as well as one of the greatest scores for any Argento film.
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