Tôkyô monogatari (1953) - News Poster


Artists’ Choice #11: Kanji Furutachi (actor) lists his 10 Favorite Japanese Movies

Kanji Furutachi is best known for playing Toshio, one of the leading roles in “Harmonium”, directed by Koji Fukada, which won the Jury Prize in the Un Certain Regard section of the 2016 Cannes Film Festival.

He has also appeared in numerous plays in Japan, including the title role for the play “The Treasured Son”, which won Japan’s most prestigious drama award: The Kishida Drama Award.

His many film appearances include “Hospitalité” and “My Back Page” (for which he won the Best Supporting Actor Award from the Takasaki Film Festival and the Best New Comer Award at the Tama Cinema Forum). He studied acting with Uta Hagen, Carol Rosenfeld, and many others at Hb Studio in New York City.

Here are his ten favorite Japanese films, in no particular order

1. Tokyo Story

2. High and Low

3. Rashomon

4. Seven Samurai

5. The Yellow Handkerchief (Yoji Yamada,
See full article at AsianMoviePulse »

The Casual Cinecast reviews Tokyo Story

  • Cinelinx
In our newest Casually Criterion episode, we finally dive into Ozu's undisputed classic Tokyo Story! We aslo discuss the newest Criterion Collection announcements, goft ideas for movies nerds, and more!

Last month, we had a Twitter poll that allowed users to vote on which Criterion film we reviewed next. You voted and that film ended up being Tokyo Story (Spine #217)! Listen as we try to break down this classic, heartbreaking film. Does this film end up being as emtional as everyone says? Find out what we thought!

We also discuss the upcoming Criterion Collection releases that have been announced, the death of Filmstruck, upcoming gift ideas for the movie nerd in your life, and more! Be sure to listen to the end episode to the end to hear which movies we chose as the options for our next Casually Criterion episode!

Let us know if you agree with out review in the comments below!
See full article at Cinelinx »

Seven Samurai tops critics' poll of best foreign-language films

Akira Kurosawa epic beats Bicycle Thieves to top of BBC’s 100-strong list that includes just four female-directed films

A critics’ poll conducted by the BBC has voted Akira Kurosawa’s 1954 swordsman epic Seven Samurai as the greatest ever non-English-speaking film.

The BBC culture website polled more than 200 “film experts” from more than 40 countries, including critics, academics and curators to create a top-100 list. Seven Samurai beat Bicycle Thieves (1948) and Tokyo Story (1953), which came in second and third respectively. Another Kurosawa film, the multi-perspective crime fable Rashomon (1950), was in fourth place, while his Ikiru (1952) and Ran (1985) also made the list, at 72 and 79.
See full article at The Guardian - Film News »

BBC’s 100 Greatest Foreign-Language Films Ever: 209 Film Critics Crown ‘Seven Samurai,’ ‘In the Mood for Love,’ and More

BBC’s 100 Greatest Foreign-Language Films Ever: 209 Film Critics Crown ‘Seven Samurai,’ ‘In the Mood for Love,’ and More
The BBC Culture annual critics’ poll has become one of the most anticipated film lists over the last three years. After asking critics to weigh in on the best American films (“Citizen Kane” topped the list), the best films of the 21st century (“Mulholland Drive” in first), and the best comedy movies (“Some Like It Hot” crowned the best), the BBC Culture has turned this year to the 100 greatest achievements in foreign-language film.

This year’s list was curated from top 10 lists from 209 film critics across 43 countries, including IndieWire’s own Kate Erbland and Christian Blauvelt. BBC Culture awarded 10 points to each critics’ first-ranked film, 9 for the second-ranked, and so on down to one. The finalized top 100 list was curated based on this point system.

Sitting on the top of the BBC Culture list is Akira Kurosawa’s “Seven Samurai.” The film’s breathtaking scope and intimate character work has
See full article at Indiewire »

Programme Announced for the 13th London Korean Film Festival 1 – 25 November

Running from 1- 14 November in London before taking highlights around the country with its annual UK Tour, the festival will feature an in-depth special focus entitled A Slice of Everyday Life, along with an exciting mix of UK and International premieres, guests and events across a diverse set of strands; Cinema Now, Women’s Voices, Indie Firepower, Contemporary Classics, Artists Video, Animation and Shorts.

Korea is regularly in the world news cycle of late due to some tense international political

machinations. This year’s festival moves from this global outlook to an intimate view of the dayto-day lives and struggles of the people of the country on the ground. The 13th London Korean Film Festival proudly presents a programme that incorporates and engages with many of the topical conversations taking place in society today, through the international language of cinema.

Highlighting the festival’s dual commitment to championing the work
See full article at AsianMoviePulse »

Recommended New Books on Filmmaking: Paul Schrader, Private Eyes, and Paul Verhoeven

Somehow, it is now late summer 2018. While the release of films like Solo: A Star Wars Story and Avengers: Infinity War seems long ago, they are represented in this latest rundown of books connected to the world cinema. But there is plenty else, including a classic from Paul Schrader, a juicy look at the Sumner Redstone empire, and a must-buy for fans of Clint Eastwood. Note that this summer also saw the release of David Lynch’s Room to Dream, a memoir co-written with journalist/critic Kristine McKenna. Nick Newman covered the insightful and surprisingly comprehensive book in June, and explains why Dream’s “enlightened restlessness” is so appropriate.

Transcendental Style in Film by Paul Schrader (University of California Press)

With First Reformed still making critical waves and Taylor Swift concert pics going viral, we are in the midst of a Paul Schrader renaissance. (A Schrenaissance!) It is an ideal time,
See full article at The Film Stage »

Film Analysis: Tokyo Story (1953) by Yasujiro Ozu

By Jaim Cleeland

In discussing the statement ‘Ozu is the most Japanese of all directors’ it is worth noting that Japanese intellectuals at the end of World War II had a “desire to understand why Japanese people, especially intellectuals, had been so willing to accept” a nationalistic militarism leadership. The intellectuals saw “their task as re-shaping Japanese society […] that would protect it against fascism”.. The art-critic Hijikata Teiichi thought that after “the disastrous war […] the Japanese state domestically and the Japanese people as individuals both” had to develop independence. A move towards individual independence was that in the December after the war, women gained the right to vote. The following year in April 1946, “thirty-nine women were elected to the upper house of the Diet.”. The popular magazine for women Fujin kôron published an article by the socialist-feminist Amakawa Kikue who “presented women’s suffrage as the symbol of freedom of
See full article at AsianMoviePulse »

Cannes 2018. Lineup

  • MUBI
The Festival de Cannes has announced the lineup for the official selection, including the Competition and Un Certain Regard sections, as well as special screenings, for the 71st edition of the festival:COMPETITIONEverybody Knows (Asghar Farhadi)At War (Stéphane Brizé)Dogman (Matteo Garrone)Le livre d'images (Jean-Luc Godard)Netemo Sameteo (Asako I & II) (Ryūsuke Hamaguchi)Sorry Angel (Christophe Honoré)Girls of the Sun (Eva Husson)Ash Is Purest White (Jia Zhangke)Shoplifter (Hirokazu Kore-eda)Capernaum (Nadine Labaki)Burning (Lee Chang-dong)BlacKkKlansman (Spike Lee)Under the Silver Lake (David Robert Mitchell)Three Faces (Jafar Panahi)Cold War (Pawel Pawlikowski)Lazzaro Felice (Alice Rohrwacher)Yomeddine (A.B. Shawky)Leto (Kirill Serebrennikov)Un couteau dans le cœur (Yann Gonzalez)Ayka (Sergei Dvortsevoy)The Wild Pear Tree (Nuri Bilge Ceylan)Out Of COMPETITIONSolo: A Star Wars Story (Ron Howard)Le grand bain (Gilles Lelouch)The House That Jack Built (Lars von Trier)Un Certain REGARDGräns (Ali Abbasi
See full article at MUBI »

Orson Welles Is Coming to Cannes 2018 After All, but Not With Netflix

Orson Welles Is Coming to Cannes 2018 After All, but Not With Netflix
Despite Netflix removing all of its films from the 2018 Cannes Film Festival, Orson Welles will still be represented on the Croisette next month. The festival has announced the official lineup for this year’s Cannes Classics sidebar, and included on the list is the FilmStruck-produced documentary “The Eyes of Orson Welles,” from British documentarian Mark Cousin.

Netflix had originally been set to bring Welles’ unfinished film, “The Other Side of the Wind,” to the festival’s Out of Competition section, but the streaming giant announced it would not be attending the festival in any capacity after Cannes reinstated a rule preventing films without French theatrical distribution from competing for the Palme d’Or. The rule would not have affected “The Other Side of the Wind,” but Netflix wasn’t going to make an exception.

“The Eyes of Orson Welles” includes access to a lifetime of private drawings and paintings by Welles,
See full article at Indiewire »

Cannes Classics: Orson Welles Doc, ‘Bicycle Thieves’, ‘Big Blue’, ‘Grease’ – Full List

  • Deadline
Orson Welles will be featured at next month’s Cannes Film Festival. It still won’t be via his previously unfinished The Other Side Of The Wind, which recently got caught in the scrum between the festival and Netflix. Rather, Welles will be represented in The Eyes Of Orson Welles, a new documentary from Mark Cousins that’s part of the Cannes Classics selection.

The festival today unveiled its full roster for the Classics sidebar which includes tributes and documentaries about film and filmmakers, and restorations presented by producers, distributors, foundations, cinemathèques and rights holders. Among the attendees this year are Martin Scorsese, Jane Fonda, Christopher Nolan and John Travolta.

The Eyes Of Orson Welles is a journey through the filmmaker’s visual process. Thanks to Welles’ daughter Beatrice, Cousins (The Story Of Film) was granted access to never-before-seen drawings, paintings and early works that form a sketchbook from his life.
See full article at Deadline »

Kaguya: Takahata’s Timeless Tale

Following the passing of the Studio Ghibli co-founder, Joe Jeffreys revisits Isao Takahata’s The Tale of Princess Kaguya…

Isao Takahata was one of the most seminal voices in the history of Japanese Animation. After co-founding the world-renowned Studio Ghibli with Hao Miyazaki in 1985, his work went onto include the devastating masterpiece Grave of the Fireflies (1988), the beautifully melancholic Only Yesterday (1991), the oft overlooked Pom Poko (1994) and the divisive yet utterly unique My Neighbours the Yamadas (1999).

Each of these stories was utterly different from the last; each showcased Takahata’s keen understanding of human nature. He possessed an innate ability to connect audiences with his characters, to meld aspects of reality with fantasy, supposed fact with supposed fiction. Takahata always appeared, at least to me, to be the creator of more filmic, more pointed, more mature companions to the rest of Ghibli’s vibrant canon. A man who sought to craft experiences beyond animation.
See full article at Flickeringmyth »

The Best Performances Of 2017

You don’t need great performances for a great movie, we suppose — Nikolaus Geyrhalter’s mesmerizing 2016 documentary/art piece “Homo Sapiens,” for instance, doesn’t feature a single human being on screen and is still excellent. But on the whole, the two things go hand in hand: it’s impossible to imagine “Lawrence Of Arabia” without Peter O’Toole, “Star Wars” without Harrison Ford, “Cabaret” without Liza Minnelli, or “Tokyo Story” without Chishu Ryu and Chieko Higashiyama, to name but a few.

Continue reading The Best Performances Of 2017 at The Playlist.
See full article at The Playlist »

The Yellow Handkerchief

Ready for some full- on Japanese sentimentality? Superlative tough guy Ken Takakura takes us deep into heartbreak territory in search of a happy ending. Yoji Yamada’s Hokkaido road epic throws together a trio of ‘drifters of the heart’ to see if they can solve each other’s romantic dilemmas.

The Yellow Handkerchief


Twilight Time

1978 / Color / 2:35 widescreen / Street Date November 14, 2017 / Shiawase no kiiroi hankachi / Available from the Twilight Time Movies Store / 24.95

Starring: Ken Takakura, Chieko Baisho, Kaori Momoi, Tetsuya Takeda, Hisao Dazai, Makoto Akatsuka, Mari Okamato.

Cinematography: Tetsuo Takaha

Film Editor: Iwao Ishii

Original Music: Masaru Sato

Written by Yoji Yamada, Yoshitaka Asama

Produced by Toru Najima

Directed by Yoji Yamada

Americans can experience difficulty navigating the sometimes- confusing sphere of Japanese humor. Cartoons, children’s films, action movies often seem crude or cruel, but can also be unexpectedly delicate. And some cultural barriers are still there — nobody
See full article at Trailers from Hell »

10 Great Directors Who Should Make Horror Movies — IndieWire Critics Survey

10 Great Directors Who Should Make Horror Movies — IndieWire Critics Survey
Every week, IndieWire asks a select handful of film critics two questions and publishes the results on Monday. (The answer to the second, “What is the best film in theaters right now?”, can be found at the end of this post.)

This week’s question: What filmmaker would you most like to see try their hand at a horror movie?

Kristy Puchko (@KristyPuchko), Pajiba/Riot Material

I struggled with this question, because a lot of the directors I have adored have worked in horror, be it Tim Burton (“Beetlejuice,” “Edward Scissorhands”), Robert Zemeckis (“Death Becomes Her”), Edgar Wright (“Shawn of the Dead”), Frank Oz (“Little Shop of Horror”), Guillermo del Toro (“Crimson Peak”), Bong-Joon Ho (“The Host”), Jim Jarmusch (“Only Lovers Left Alive”), or Taika Waititi (“What We Do In the Shadows”). Part of what I love about the genre is the way is can be reshaped with vision, color,
See full article at Indiewire »

Favorite Moments from Locarno Festival 2017: Confronting Death, Raúl Ruiz Returns, Japan Diaries

  • MUBI
The Wandering Soap OperaThis year at the Locarno Festival I am looking for specific images, moments, techniques, qualities or scenes from films across the 70th edition's selection that grabbed me and have lingered past and beyond the next movie seen, whose characters, story and images have already begun to overwrite those that came just before.***The camera’s brief tracking movements in Jacques Tourneur's Appointment in Honduras (1953). This filmmaker, to whom Locarno is devoting an extensive retrospective, is not a formalist like some of his more acclaimed contemporaries like John Ford, Otto Preminger, or Hitchcock, whose overt and idiosyncratic use of the camera makes far more obvious each director’s perspective on their stories. But that doesn't mean Tourneur didn't have formal flourishes, and none are so lyrically charged as the subtle and surprising times in his films when there’s a cut and suddenly the camera is floating
See full article at MUBI »

'Columbus' Review: Boy Meets Girl, Modern Architecture in Poetic Indie Debut

'Columbus' Review: Boy Meets Girl, Modern Architecture in Poetic Indie Debut
How do you make a ravishing romance about architecture? You'll find the answer with Kogonada, the video essayist and critic whose debut feature, Columbus, is a spellbinder. An immigrant from South Korea, the director sets his first film in Columbus, Indiana, a seemingly ordinary Midwestern town except for its exceptional modernist architecture, designed by such masters as Eero Saarinen and Harry Weese. Many townsfolk pass by these wonders without noticing. This mood-piece indie, however pays close attention, providing viewers with pristine images that brim with emotions ... the sort of agony
See full article at Rolling Stone »

New to Streaming: ‘Certain Women,’ ‘A Quiet Passion,’ ‘All These Sleepless Nights,’ ‘After the Storm,’ and More

With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.

20th Century Women (Mike Mills)

That emotional profundity most directors try to build to across an entire film? Mike Mills achieves it in every scene of 20th Century Women. There’s such a debilitating warmness to both the vibrant aesthetic and construction of its dynamic characters as Mills quickly soothes one into his story that you’re all the more caught off-guard as the flurry of emotional wallops are presented.
See full article at The Film Stage »

All of the Films Joining Filmstruck’s Criterion Channel This July

Each month, the fine folks at FilmStruck and the Criterion Collection spend countless hours crafting their channels to highlight the many different types of films that they have in their streaming library. This July will feature an exciting assortment of films, as noted below.

To sign up for a free two-week trial here.

Saturday, July 1 Changing Faces

What does a face tell us even when it’s disguised or disfigured? And what does it conceal? Guest curator Imogen Sara Smith, a critic and author of the book In Lonely Places: Film Noir Beyond the City, assembles a series of films that revolve around enigmatic faces transformed by masks, scars, and surgery, including Georges Franju’s Eyes Without a Face (1960) and Hiroshi Teshigahara’s The Face of Another (1966).

Tuesday, July 4 Tuesday’s Short + Feature: Premature* and Ten*

Come hitch a ride with Norwegian director Gunhild Enger and the late Iranian master
See full article at CriterionCast »

Filmadrid & Mubi: The Video Essay—"永遠の処女 - The Eternal Virgin"

The Video Essay is a joint project of Mubi and Filmadrid Festival Internacional de Cine. Film analysis and criticism found a completely new and innovative path with the arrival of the video essay, a relatively recent form that already has its own masters and is becoming increasingly popular. The limits of this discipline are constantly expanding; new essayists are finding innovative ways to study the history of cinema working with images. With this non-competitive section of the festival both Mubi and Filmadrid will offer the platform and visibility the video essay deserves. The seven selected works will be shown during the dates of Filmadrid (June 8 - 17, 2017) on Mubi’s cinema publication, the Notebook. Also there will be a free public screening of the selected works during the festival. The selection was made by the programmers of Mubi and Filmadrid.永遠の処女 · The Eternal VirginVideo essay by Jorge Suárez-Quiñones RivasThe understanding of domestic,
See full article at MUBI »

Good Morning (ohayo)

It’s Yasujiro Ozu in light mode, except that his insights into the human social mechanism make this cheerful neighborhood comedy as meaningful as his dramas. Two boys go on a ‘talk strike’ because they want a television set, a choice that has an effect on everyone around them. And what can you say about a movie with running jokes about flatulence . . . and is still a world-class classic?

Good Morning


The Criterion Collection 84

1959 / Color / 1:37 flat Academy / 94 min. / ohayo / available through The Criterion Collection / Street Date May 16, 2017 / 39.95

Starring: Keiji Sada, Yoshiko Kuga, Chishu Ryu, Kuniko Miyake, Haruko Sugimura, Koji Shitara, Masahiko Shimazu, Isamu Hayashi, Kyoko Izumi, Toyo Takahashi, Sadako Sawamura, Eijiro Tono.

Cinematography: Yushun Atsuta

Film Editor: Yoshiyasu Hamamura

Original Music: Toshiro Mayuzumi

Written by Yasujiro Ozu, Kogo Noda

Produced by Shizuo Yamanouchi

Directed by Yasujiro Ozu

Ozu’s Good Morning is a straight-out delight, being both inconsequential and insightful.
See full article at Trailers from Hell »
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