Noriko is 27 years old and is still living with her father Somiya, a widower. Noriko just recovered from an illness she developed in the war, and now the important question pops up: when will Noriko start thinking about marriage? Everybody who is important in her life tries to talk her into it: her father, her aunt, a girlfriend. But Noriko doesn't want to get married, she seems extremely happy with her life. She wants to stay with her father to take care of him. After all, she knows best of his manners and peculiarities. But Noriko's aunt doesn't want to give up. She arranges a partner for her and thinks of a plan that will convince Noriko her father can be left alone.Written by
Arnoud Tiele (email@example.com)
This film is part of the Criterion Collection, spine #331. See more »
A camera/dolly shadow is visible on the sidewalk as it follows Noriko walking. See more »
Men are no good. They're devious. Before marriage they only show their good side, but once they have you, everything awful comes out. Even if you marry for love, you never know what you're getting.
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This is my favorite Ozu film. I like to think that it is an homage to Italian Neorealism. But I'm mostly writing in defense against those who don't like Setsuko Hara's acting. First of all, whenever we western audience viewers critique someone's acting, the main argument is that it's not realistic.
Well, I would like to say that Hara did a very realistic portrayal of her character. The women of 1949 Japan had her mannerisms that we will probably find "annoying".
This is a difficult film for those who are not used to "Eastern" style of films. Especially ones from the 1940s. As long as we watch with an open mind, the theme of the film is as universal as it can get. Who knows? In 50 years, someone will make fun of Naomi Watts' acting in "21 Grams" deeming it unrealistic.
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